The other morning, my critique partner tossed off 4500 words on her new manuscript, and gave it to me to look at over lunch. Yes, you read that correctly. 4500 words. In one morning. I'm lucky if I can manage 3000 words working sunup to sundown.
When I asked her how she'd managed to write so much so quickly, she pointed to her sheet of notes -- scribbled bits of plot and character development that were cryptic in the extreme. But she claimed she'd been thinking about the story since the previous night, and had it pretty much written in her head, so she just had to type it out. Unfortunately for my hopes of ever having a 4500 word morning, I don't write like that.
A few days ago, Tina blogged about the difference between being a plotter or pantser. But most pantsers -- at least among the published authors I've talked to, and it's worth noting that these are the ones that finish books and deliver them on schedules -- don't write blind. They have some sort of an idea for the book. They may not have a plot, per se, with turning points and escalations and denouments, but they have a theme, or a motif, or a character arc, or a situation they want to explore. In other words, they have a plan, loose though it may be.
I'm not a plotter. The conflicting needs and desires of my characters produce their actions, and those actions result in a plot. But it's like quantum physics ... all plots are possible, until the moment when the waveform collapses and a single plot is chosen. So my writing is a series of collapsing waveforms, looking at the range of plots, picking one, writing a few hundred or thousand words until the range of possible plots is once again overwhelming and a new one needs to be selected, then the whole process repeats until the book is finished.
To keep from wandering forever lost in my imagination, I rely on my plan, which helps me to choose the appropriate options from among the glittering host of possibilities. So, for example, in my current release from Cerridwen Press, SHADOW PRINCE, my plan included the basic setup for the story, the backstory (developed in NOT QUITE CAMELOT), and the dichotomies I wanted to explore, such as trust/suspicion. And because of genre conventions, I knew that the characters would ultimately be sucessful in their quest, and the resolution would be a happy one, although I didn't quite know what that resolution would be. When faced with a choice for where to take the story next, I went back to the plan, and that kept the whole thing flowing in a cohesive fashion, building toward the final showdown at the end.
I'm finishing a new novel, now, and really need to write quickly. With my critique partner's example, I thought I'd try making some notes for what has to happen in the various chapters remaining. They ended up being notes like "wanders around town, meets people, learns things". Wow, exciting chapter, huh? I'm sure it will be, by the time I write it. But until that moment when a single possibility is chosen, there's really no way of knowing what will happen. That's what keeps it interesting.
Showing posts with label plotter vs pantser. Show all posts
Showing posts with label plotter vs pantser. Show all posts
Tuesday, August 14, 2007
Sunday, August 12, 2007
Plotter or Pantser, that is the Question...
If you sit and listen to any group of writers talk, eventually, you'll hear the familiar question of, "Are you a plotter or a pantser?"
No, this isn't some secret handshake or a writing outfit, it's something which was created to bring torment and evil down upon every writer's head!!! (Okay, got a little carried away there, sorry...) But seriously, plotter, is just what it sounds like - a writer who plots out their book, some meticulously, some loosely. And a pantser is someone who has a vague idea what their book is about, and who the characters are, and just sits down and writes and sees what happens as it goes.
Now, I have tried both of these methods, and thought I'd share my pain and suffering so you would be better able to compare and contrast.
I started out trying to be a plotter. After all, I mistakenly figured all writers were. I mean, how could they write all those intricate twists and turns and then bring back in something that happened on page 4 without careful planning, right? So, when I got an idea for my very first book, I scribbled down scene and plot ideas on a piece of paper and had the entire book planned out before I even tried to write one chapter.
So, what happened? I hated it and considered throwing myself on my sharp pencil and putting and end to my suffering. It just wasn't any fun for me to plan out everything first, because by the time I started writing, I was sick of the story!
But, I wanted to be a writer, so once I finished the plotting, I sat down and wrote the first three chapters. Granted, they were three of the most horrible chapters known to man, but hey, they were my first three chapters of a book that I was GOING to publish, so I was doing a happy dance.
Fast forward to my first meeting with my critique group. They all read my chapters and besides telling me things like numbers are spelled out, okay is spelled out and not written as "ok," the hero and the heroine should probably meet in the first three chapters, no head hopping and etc, they weren't warm and fuzzy with my plot either. Too contrived, too predictable, too cliche. And I have to admit looking back, they were totally and completely right.
I rewrote those chapters and struggled through several dozen more rewrites to finish that book. I did sell that book, it came out as Into a Dangerous Mind, which was an RT Reviewer's Choice Award for Best Small Press Contemporary Paranormal for 2006. It's currently with my agent so we can resell it. But the moral of that story is, the book did turn out okay.
BUT - I found out the hard way that as I wrote, I would find better ideas and I would end up deviating from the plot, and then I would spend countless hours going back and refiguring out the plot. GRRRRR!!!!
For my second book, I decided that plotting was not for me, so screw plotting. I was now a self-proclaimed pantser. So, I sat down to write what would become Stone Maiden. I wrote and wrote and my plot meandered and curled and twisted and I ended up rewriting and banging my head against the wall to get out of dead ends I'd written myself into. But, on a bright note, I liked this better than plotting! The book did well, and finaled in the Golden Quill contest and was nominated for eCataRomance Reviewer's choice award. Yet, I knew I hadn't quite found a solution which worked for me. On one bright note - I found out that you can still make those twisty plots happen and tie in things you did on page 4 because your subconscious is really great about remembering those things and bringing them to the surface when you need them!
By the time I sat down to write Fire Maiden, I was leery of trying either of the methods above. So, I tried my best to combine the two. I brainstormed with my critique group and scribbled down important things I knew I wanted in the book and didn't want to forget. Then I did some character sketches - birth to present, which really helped me get to know my characters and to write in their voice. Only THEN did I sit down and write. This allowed me enough structure to not totally flounder, since I knew a general direction I wanted to go in, but also allowed me the freedom to use new ideas as they came to me. Woo Hoo! I had found my style.
Is it perfect? Hell, no. I still bang my head against the wall on plenty of occasions, but it's a good fit for me and taking the best parts of both worlds has helped me finish all my other books to date.
Don't get me wrong, I'm not touting that this is right for you. I've tried to show you a little of my painful journey above so you can see that everyone is different. I have a good friend who plots every minute detail - to a point which would drive me insane. But it works for her and she gets books done - that's what counts. I have another good friend who is a writing machine, and she doesn't plot at all. She comes up with an idea and some general character ideas and she sits down to write and the story spins out under her fingertips.
None of us are doing it wrong, we are doing it right - for us. Don't let anyone tell you that X is the gospel of how to write, I don't care what it is. Everyone is different, their brains work differently, their work styles and comfort levels are different and we all can't be neatly compartmentalized into the same box. This same logic goes for "writing rules" which I hate. For every writing rule which states, you can NOT do X or you'll never sell, I've seen people break it successfully. Just make sure you know the rule well so you are breaking it on purpose and not accidentally!
Well, there's my wisdom for the day. I'm off to work on my WIP. If you want something steamy to read to perk up your weekend, head on out to my newest release - Ceremony of Seduction, written as Cassie Ryan. You can find it in any of the brick and mortar stores and in most places they are face out with my steamy cover :) Just be forewarned, it's a VERY hot book. So, if you like that - go grab a copy and I'll go finish up the sequel. :)
Tina/Cassie
No, this isn't some secret handshake or a writing outfit, it's something which was created to bring torment and evil down upon every writer's head!!! (Okay, got a little carried away there, sorry...) But seriously, plotter, is just what it sounds like - a writer who plots out their book, some meticulously, some loosely. And a pantser is someone who has a vague idea what their book is about, and who the characters are, and just sits down and writes and sees what happens as it goes.
Now, I have tried both of these methods, and thought I'd share my pain and suffering so you would be better able to compare and contrast.
I started out trying to be a plotter. After all, I mistakenly figured all writers were. I mean, how could they write all those intricate twists and turns and then bring back in something that happened on page 4 without careful planning, right? So, when I got an idea for my very first book, I scribbled down scene and plot ideas on a piece of paper and had the entire book planned out before I even tried to write one chapter.
So, what happened? I hated it and considered throwing myself on my sharp pencil and putting and end to my suffering. It just wasn't any fun for me to plan out everything first, because by the time I started writing, I was sick of the story!
But, I wanted to be a writer, so once I finished the plotting, I sat down and wrote the first three chapters. Granted, they were three of the most horrible chapters known to man, but hey, they were my first three chapters of a book that I was GOING to publish, so I was doing a happy dance.
Fast forward to my first meeting with my critique group. They all read my chapters and besides telling me things like numbers are spelled out, okay is spelled out and not written as "ok," the hero and the heroine should probably meet in the first three chapters, no head hopping and etc, they weren't warm and fuzzy with my plot either. Too contrived, too predictable, too cliche. And I have to admit looking back, they were totally and completely right.
I rewrote those chapters and struggled through several dozen more rewrites to finish that book. I did sell that book, it came out as Into a Dangerous Mind, which was an RT Reviewer's Choice Award for Best Small Press Contemporary Paranormal for 2006. It's currently with my agent so we can resell it. But the moral of that story is, the book did turn out okay.
BUT - I found out the hard way that as I wrote, I would find better ideas and I would end up deviating from the plot, and then I would spend countless hours going back and refiguring out the plot. GRRRRR!!!!
For my second book, I decided that plotting was not for me, so screw plotting. I was now a self-proclaimed pantser. So, I sat down to write what would become Stone Maiden. I wrote and wrote and my plot meandered and curled and twisted and I ended up rewriting and banging my head against the wall to get out of dead ends I'd written myself into. But, on a bright note, I liked this better than plotting! The book did well, and finaled in the Golden Quill contest and was nominated for eCataRomance Reviewer's choice award. Yet, I knew I hadn't quite found a solution which worked for me. On one bright note - I found out that you can still make those twisty plots happen and tie in things you did on page 4 because your subconscious is really great about remembering those things and bringing them to the surface when you need them!
By the time I sat down to write Fire Maiden, I was leery of trying either of the methods above. So, I tried my best to combine the two. I brainstormed with my critique group and scribbled down important things I knew I wanted in the book and didn't want to forget. Then I did some character sketches - birth to present, which really helped me get to know my characters and to write in their voice. Only THEN did I sit down and write. This allowed me enough structure to not totally flounder, since I knew a general direction I wanted to go in, but also allowed me the freedom to use new ideas as they came to me. Woo Hoo! I had found my style.
Is it perfect? Hell, no. I still bang my head against the wall on plenty of occasions, but it's a good fit for me and taking the best parts of both worlds has helped me finish all my other books to date.
Don't get me wrong, I'm not touting that this is right for you. I've tried to show you a little of my painful journey above so you can see that everyone is different. I have a good friend who plots every minute detail - to a point which would drive me insane. But it works for her and she gets books done - that's what counts. I have another good friend who is a writing machine, and she doesn't plot at all. She comes up with an idea and some general character ideas and she sits down to write and the story spins out under her fingertips.
None of us are doing it wrong, we are doing it right - for us. Don't let anyone tell you that X is the gospel of how to write, I don't care what it is. Everyone is different, their brains work differently, their work styles and comfort levels are different and we all can't be neatly compartmentalized into the same box. This same logic goes for "writing rules" which I hate. For every writing rule which states, you can NOT do X or you'll never sell, I've seen people break it successfully. Just make sure you know the rule well so you are breaking it on purpose and not accidentally!
Well, there's my wisdom for the day. I'm off to work on my WIP. If you want something steamy to read to perk up your weekend, head on out to my newest release - Ceremony of Seduction, written as Cassie Ryan. You can find it in any of the brick and mortar stores and in most places they are face out with my steamy cover :) Just be forewarned, it's a VERY hot book. So, if you like that - go grab a copy and I'll go finish up the sequel. :)
Tina/Cassie
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